Elm Grove at Dusk

 Working on panel in oils is something I have not done in quite awhile. I remember November 2022 was my last acrylic painting, so, two years! Lots of watercolour and gouache in the meantime though. I was trying to improve my drawing, speed and accuracy at urban sketchers, and composition by working out formula thumbnails in gouache, as preparation for something larger. It helps to make colour notes as I work with my palette, now in gouach, later in oil.  My confidence is eroding somehow, but I want to pursue at least two showings this year with West Toronto Artists. 

Walking with Joe recently after a rain a large puddle reflected the leaves and sky overhead, and the reich dark colours of a humid mid summer evening were awe inspiring. The sketch developed a “cruciform” composition (Ian Roberts, Mastering Composition) with warm highlights outlining the water. I’m experiencing difficulty translating my palette from gouach to oils, because my colour selections are limited in different hues. Cobalt in gouache, is Ultramarine Blue in oils. I will add to my oils another blue or two, perhaps.

Procreate mockups allow for no limits in colour choice, and help me to concentrate on large shapes, not distracting details.

After mixing in as much Liquin as possible while keeping a cream consistency, after four hours the oils are not even tacky yet! I may try this in acrylic also. 

Valentine Alley

The third version of this scene is painted with pinks and lilacs, so, mixtures of red and blue with white gouache. The light demands a sunny yellow however, so the compliment of purple is there too. The shapes are pretty much resolved now, but the background tree is omitted, to show off the leaning poles and power lines against a more complicated sky.

Painted Alley

Cropping, Notan, Focal Point and Palette

 Recently I watched a short video by Mitchell Albala about creating Notan studies for landscapes, and it got me thinking, could that help me simplify overwhelming detail in sketching? Could it jumpstart a better composition for a painting? 

The iPad is a great tool for cropping a photo and layering a Notan in was doable. 

When drawing from the photo I was defining shapes of shadow and light- a better approach than defining edges as lines- (no wonder that gets overwhelming) and shapes are relatively easier to draw. Less tension around placement and proportion.

Gouache is a way to make colour decisions and make 5x7 inch thumbnail paintings. I see this painting much larger in oil or acrylic. Scale would make the end of the alley visible- as it is a focal point, after all.